你像粼粼波光般移動，而我則像海鷗般在空中起舞。 　　這部影片探索了記憶中的物體和周圍環境的視覺提示，並將其與隨之而來的虛空與缺失聯繫起來，為記憶機制提供了一條路徑。影像與現成音效相矛盾，這些音效既可以作為過去的觸發，也可以作為當下的殘餘。本片通過影像展現出一種嶄新的時空狀態。

After 23 years on Death Row, a convicted murderer petitions the court for his execution. As he tells his story directly to camera, you gradually realise that nothing is quite as clear-cut as it at first seemed. The Fear of 13 is a stylistically daring experiment in storytelling – in effect a one-man play. Part monologue, part confessional and part performance, the film is illustrated with hyper-stylised imagery contextualising a narrative as compelling as any crime drama and features a final, shocking twist that casts his life in a new light. The protagonist carries the film with his charisma and literary turn of phrase recounting his experiences on the wrong side of the law, but David Sington’s film is more than an account of one man’s incarceration; it is both a damning indictment of the US penal system and an emotional meditation on the redemptive power of love and literature.

After 23 years on Death Row, a convicted murderer petitions the court for his execution. As he tells his story directly to camera, you gradually realise that nothing is quite as clear-cut as it at first seemed. The Fear of 13 is a stylistically daring experiment in storytelling – in effect a one-man play. Part monologue, part confessional and part performance, the film is illustrated with hyper-stylised imagery contextualising a narrative as compelling as any crime drama and features a final, shocking twist that casts his life in a new light. The protagonist carries the film with his charisma and literary turn of phrase recounting his experiences on the wrong side of the law, but David Sington’s film is more than an account of one man’s incarceration; it is both a damning indictment of the US penal system and an emotional meditation on the redemptive power of love and literature.

在塔利班接管喀布尔期间，阿富汗军队守卫着法国大使馆。他们肩负着在混乱中疏散500人至机场的任务，在试图绝望逃离这座正在沦陷的城市时，面临着巨大的风险。

该剧为十一集单元剧，剧集分别为《尸体》《圣女》《分离》《杀妻》（上、下集）《窒息》《花劫》（上、中、下集）《弑父》《芳踪》。 　　1977年，谭家明继《七女性》之后策划了另一个由他主导的片集系列《13》。命名《13》，是取西方文化里“十三不祥”之意；《13》每集独立，全部都是围绕凶杀、变态人物、不伦关係等偏锋题材。《13》原拟拍13集，但最终只拍了11集，全部由谭家明导演。 《13》是谭家明电视时期里较晚的作品（此后他只帮忙导演过一集《小人物》），他在形式与风格上的鍊炼在此可谓达致一个比较成熟的境界。例如《弑父》里可见他严谨地以推轨镜头贯穿全片的视觉风格，与及贯彻地控制著女主角陈玉莲的表演。值得一提的是，《13》也有一些鲜在谭家明身上见到的面貌。例如《尸体》写一对夫妇如何应对一个荒诞处境，便充满意料之外的黑色幽默，那种谐趣是几乎没有在谭家明的电影中出现过的。

该剧为十一集单元剧，剧集分别为《尸体》《圣女》《分离》《杀妻》（上、下集）《窒息》《花劫》（上、中、下集）《弑父》《芳踪》。 　　1977年，谭家明继《七女性》之后策划了另一个由他主导的片集系列《13》。命名《13》，是取西方文化里“十三不祥”之意；《13》每集独立，全部都是围绕凶杀、变态人物、不伦关係等偏锋题材。《13》原拟拍13集，但最终只拍了11集，全部由谭家明导演。 《13》是谭家明电视时期里较晚的作品（此后他只帮忙导演过一集《小人物》），他在形式与风格上的鍊炼在此可谓达致一个比较成熟的境界。例如《弑父》里可见他严谨地以推轨镜头贯穿全片的视觉风格，与及贯彻地控制著女主角陈玉莲的表演。值得一提的是，《13》也有一些鲜在谭家明身上见到的面貌。例如《尸体》写一对夫妇如何应对一个荒诞处境，便充满意料之外的黑色幽默，那种谐趣是几乎没有在谭家明的电影中出现过的。

某日某地，电梯上消失的“13层”引发了一系列回忆和危机。 　　在线观看: https://www.bilibili.com/video/av22580355

某日某地，电梯上消失的“13层”引发了一系列回忆和危机。 　　在线观看: https://www.bilibili.com/video/av22580355

《威尔和格蕾丝》女星黛博拉·梅辛加盟出演改编自百老汇音乐剧《13》的Netlfix新片。塔拉·戴维斯(《真爱不死》)执导，卡司包括伊莱·戈登、加布里埃拉·乌尔、JD·麦克拉里、弗兰克·麦克内利斯等。该片讲述12岁的埃文·戈德曼的故事。他从纽约市搬到印第安纳州的小镇，在那里，他努力解决父母离婚的问题，为即将到来的成人礼做准备，并在新学校复杂的社交圈中摸索。梅辛将扮演埃文·戈德曼的母亲。

A naive young man assumes a dead man's identity and finds himself embroiled in an underground world of power, violence, and chance where men gamble behind closed doors on the lives of other men.